03. May 2024
An art critique by (Martin Astorga) Paz Viola eludes to straight-forward interpretation: rather, I have defined his own landscape, articulating new horizons of joyful inspiration, with singular effects of light and shade, of dreamy colors in their textures and shapes.
20. November 2023
I vividly remember the moment when an abstract painting by Matta captured my imagination as a seven-year-old. I was flipping through an old textbook, and an image sucked me in like a whirlpool or wormhole of sorts, into the inner world of the artist.
05. November 2023
To me, these images are the poetics of light channeled by the artist as a conduit. The light is transmitted from elsewhere—perhaps from an alternate universe
25. September 2023
Ancient cultures regarded caves as places where transcendental experiences occurred: they were the first sanctuaries; they were gateways to the underworld, to the interior of the Earth itself. In the beginning there was chaos and wilderness, where the earliest humans took to the caves for survival, regarding them as sacred shelters. The epitome of this cave-shelter symbol is that of the womb of the Mother Earth, a place of solace—a common motif across times and cultures.
17. September 2023
When I re-approach my works as a viewer, I imagine the images as framed and displayed in a certain space such as a gallery or a museum, since I don’t know how I feel about a painting until it is hung on the wall. Hence, one of my favorite parts of exhibitions is when people tell me how they feel about and what they see in my works, and then I become a viewer of viewers.